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How to get the pure Cmajor scale for triads, sevenths, 9,11 and 13 chords + their inversions on the palette ?

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I look at the catolog of chords and scales, but did not find the option to get a pure Cmajor scale for a triad or sevent or eleventh or thirteenth chord

Ideal should be that that the pure Cmajor scale shows the chord types stacked on the palette


More better is that also inversion from these chords can be seen on the palette..so i can make a substitution with a original chord 


Di., 20.12.2011 - 15:09 Permalink

I did but the palette shows more than one triads for basic chords in Cmajor ?


This is not clear..


Example : on degree 1 : with in the palette layout settings : basic chords ..it shows also sevent cords


I like to see form a pure scale : triads, seventh, 9, 11, 13 and inversions too


So i not function for me the palette.. seems to be  


 


It don't allow the pallette tool a way to examine the harmony like it is written in studymaterial ,except that you give a chord progression as symbols with the keyboard
Explorations in major and minor scales in de accompaniment is difficult , because i don't know all chord types what belong to a major , minor natural/meleodic/harmonic scale
If HN2 shows me these chords for different scales in different palettes than i can experiment more , because the coloringin th e palette gives me not a idea what i am doing( yet :)) 

Di., 20.12.2011 - 18:51 Permalink

Well it seems that HN2 not acts a database for chordtypes for all sort of scales..strange?
It should be better if Cognitone came up to improve this functionality to show the chords for a pure scale in the palette


I don't like to strip of the palette...


The existing palette can be as it now is with all chords, but the triads, seventh, 9, ..chords must be marked for say a pure scale
This is a option in the menu


 

Di., 20.12.2011 - 23:49 Permalink

Yes , the palette is difficult tool for me (for other people maybe not ) to get grip on 

Mi., 21.12.2011 - 13:04 Permalink

Well it seems that the continuation and fragility coloring scheme are the most important ?


There is coloring for real time playing (dynamical) and static coloring ( for information about the chords themself not a a progression )


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continuation scheme


Continuation: Harmony Navigator highlights certain chords that in its opinion represent a plausible continuation of the progression that is currently running. The lighter they are, the more probable they are. The last three steps are taken into consideration. The suggestions are based on a statistical analysis of a very large number of well-known compositions of various musical directions. This is how you can answer the question: "What chord do I play next?" Try it out! 


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Lighter chords? ..it must be the from the same color ?..as example i loaded a folkballad style with a cmaj scale on c


and made a chordprogression  Am- (1)- C(4)-G(7)-C(8) and try to let HN2 to come up with the chords for measures 2,3,4 and 5,6 for the continuation coloring


So i freeze chords for measures 1,4,7 and 8 and try to get the best chords for the gaps