Neue Blog Beiträge

Like most of my current projects, this one evolved on the side while I was testing Synfire features. It was never meant to be completed or anything special, but when I opened (...)

Introduction to the Harmony First workflow

This fragment is basically just the root container with a few phrases. Listen an see how far an arrangement as minimal as this can go.

Now it's time for Pop. I've written this song many years ago with an early version of Synfire, long before it became available to the public. Today Synfire is way more powerful (...)

About importing and refining a library of building blocks that can be used as a construction kit orchestral and hybrid soundtrack music. This ongoing project will be updated incrementally until the library is finished.

Mehr als jede andere Software konfrontiert dich Synfire mit den wesentlichen Fragen der Kreativität. Was tust du, um deine Kreativität in Gang zu bringen?

For orchestral arrangements it is inevitable that overlapping melodic lines (chords, harmony) can be distributed across instruments based on pitch. What is the best way to do this?

The other day a song with the two Synthesizer-V voices Solaria and Kevin came to my attention, which made me realize how well these voices fit together in a duet. Must do (...)

In addition to bug fixes and other improvements, one major improvement will stand out with the coming 2.1. update.

New short 2 min cinematic song made with Synfire hooked up via VST to Synthesiser V. I used the Solaria voice for this one.

Happy new year everyone. Here is my new cinematic made using Synfire and MotionLeap: A shout out to @juergen and @andre for their thread on the Pale Rider.

Please see my latest music cinematic. Grateful for your feedback, as always. I think this might be my best yet. Let me know. EDIT: Updated version

Made using Synfire 2.0 Again using AI generated art, motionized in MotionLeap

Started with stray chords, then used paino phrases on Soft Guitar Kontakt and copied the bass parts to core bass pear kontakt, used Borsta for the drum brushes. Used sonible Eq on (...)

The Coloma family ruled the county of Elda (my hometown) for more than 200 years (16th and 17th centuries). Not only they were a fundamental part of the history of the town (...)

Hi all, final in my trilogy this month. Silver moon shadow was created using Synfire 2 and mastered in Studio One 4. The images are created using the AI in MotionLeap with (...)

Hi all. here's my latest music cinematic. This time, accompanied by custom generated motion art using Lightricks MotionLeap. music style still cinematic but more EDM/synthwave this time.

My latest music video, composed 100% with Synfire. let me know if you like it.

Hello Andre, as I am a fan of your software, I want to help to make it more popular and started creating videos for it on youtube. Will also think about instagram (...)

I have no idea why the rider is pale or where and why she's actually riding, but since this arrangement lends itself so fantastically to Snippets sessions, I updated it and published a remix as one of the new Synfire examples.

I created the bass and synth parts in SFP 2. the drums were made by playing in phrases on my edrums then importing them into Songwish Remidi2. I realized later that the (...)

Chopped a track I made in SFP and assigned parts to drum pads using Sunhouse Sensory Percussion.

Inspired by current A.I. art, I wanted to illustrate this orchestral track with pictures and need some input from you. What comes to my mind is a departure (as the title suggests) (...)

Hi All. My latest composition, my first using Synfire 2.0. I've mashed up some trailer video clips from one of my fav movies currently playing, like a rescore study. Grateful for your (...)