Ideally, a single major mode chord pallete, without having to change keys, would display all diatonic and in-key borrowed chords and secondary dominants, including lydian#4 too by the way, WITHOUT also displaying chords that would tend to leave the tonal key center.
How chord progressions could be enriched by borrowing chords from the parallel major or minor key. Involving the use of alterations of particular scale degrees , these borrowed chords were accordingly described as being chromatic for the key
To start with the most basic c major palette with Palette layout settings on basic chords only and relation level : members of a single scale ( strict)
Note: is the manual up to date ? , because the explanation of the relation levels is not the same as in the settings.
By opening a major and minor scale palette you can use borrowed chords
The only problem with the palette is that someone must know at forehand what the chords are from a major or minor scale as used, but it could be that the first chords above the scale notes ( also a option on/off) are chords belonging to that key
For example the Cmajor palette here has more chords on top of the base chords --don't not yet their meaning?
Makes it also hard to undertsand this palette handling and maybe is it a idea to show the layout options for a palette in a text header.
Back to borrowing chords : using the base chords first as borrow chords ?.. and further layout options ?, but there is no explanation for this in the manual what it standing for.
I would not call it a "debate"; better a "dialog" and for me is really amazing and didactic. Thank you very much for your posts: closer to a double masterclass than to a candidate´s debate
Fr., 03.01.2020 - 21:30 Permalink
How chord progressions could be enriched by borrowing chords from the parallel major or minor key. Involving the use of alterations of particular scale degrees , these borrowed chords were accordingly described as being chromatic for the key
To start with the most basic c major palette with Palette layout settings on basic chords only and relation level : members of a single scale ( strict)
Note: is the manual up to date ? , because the explanation of the relation levels is not the same as in the settings.
By opening a major and minor scale palette you can use borrowed chords
The only problem with the palette is that someone must know at forehand what the chords are from a major or minor scale as used, but it could be that the first chords above the scale notes ( also a option on/off) are chords belonging to that key
For example the Cmajor palette here has more chords on top of the base chords --don't not yet their meaning?
Makes it also hard to undertsand this palette handling and maybe is it a idea to show the layout options for a palette in a text header.
Back to borrowing chords : using the base chords first as borrow chords ?.. and further layout options ?, but there is no explanation for this in the manual what it standing for.
Sa., 04.01.2020 - 10:29 Permalink
I would not call it a "debate"; better a "dialog" and for me is really amazing and didactic. Thank you very much for your posts: closer to a double masterclass than to a candidate´s debate