Synfire generated score + mp3
Another example of morphing containers + a simple melody over a pretty fast accompaniment + the Synfire .xml generated file as imported in Finale.
Another example of morphing containers + a simple melody over a pretty fast accompaniment + the Synfire .xml generated file as imported in Finale.
I'm doing some tests to find a viable way of assembling a library which could work in different harmonic contexts. The attached brahms_op4.coglib proved to be a good candidate. The op.4 Scherzo (...)
Hi. I imported in Synfire the first bar (omitting the grace note) of Robert Schumann's Arabeske op.18 via midifile and built on that seven-notes excerpt a 16-measures piano phrase. I (...)
Hi. I can't remember if it's in the user manual or somewhere in this forum, but I got an exact recognition of my take with setting the global key in the take (...)
So far I used almost exclusively the built-in synthesizer, at 99% the Yamaha Grand Piano patch. This morning I did some experiments loading ochestral libraries directly in Synfire (no drone, I don't (...)
Hi. As we know, Synfire needs a chord and a vertical or horizontal scale to define a pitch. And to me this is great because you can drastically change the meaning of (...)
I imported as static pitches the main theme from the MIDI file of Gershwin's An American in Paris . When converting it in Figures , Synfire totally missed the harmonies. So I (...)
A further example. In this short test I recorded (at a very slooow BPM...) a chromatic scale "out of tune". i.e., over a C major chord I began to play the scale (...)
Keeping on experimenting with chromatism in Synfire. Take Five (1959), by Paul Desmond and the Dave Brubeck Quartet, is one of the famousest jazz standards. To implement the first two bars in (...)
Hi. I tried to realize with Screenflow a guide on how to preserve the chromatic passages in Synfire without disabling the Voice Leading checkbox under the Interpretation tab. I uploaded the video (...)
Today I used Synfire to transform a Brahms intermezzo into something else. First, in Synfire I recorded from a MIDI piano the first 9 measures of Brahms at a very slow BPM (...)
While I am struggling against a annoying influence, I have pledged to understand the basic concepts of Synfire. And, frankly, my surprise was great when I saw that the software is able (...)