Workflows

Like most of my current projects, this one evolved on the side while I was testing Synfire features. It was never meant to be completed or anything special, but when I opened (...)

This fragment is basically just the root container with a few phrases. Listen an see how far an arrangement as minimal as this can go.

More than any other kind of software, Synfire confronts you with the essential questions of creativity. What do you do to kick off creative momentum?

I just finished a new song, it was my first project after switching from Cubase to FL Studio as DAW. As a long-term Cubase user this was quite tough, but I feel (...)

About importing and refining a library of building blocks that can be used as a construction kit orchestral and hybrid soundtrack music. This ongoing project will be updated incrementally until the library is finished.

How To Write Songs - YouTube The channel is of course not specific to Synfire, but there's a ton of information which will be of interest to many Synfire users. They don't (...)

The other day a song with the two Synthesizer-V voices Solaria and Kevin came to my attention, which made me realize how well these voices fit together in a duet. Must do (...)

Inspired by current A.I. art, I wanted to illustrate this orchestral track with pictures and need some input from you. What comes to my mind is a departure (as the title suggests) (...)

Users that are new to Synfire often expect it to work like a DAW. To their credit, the difference is indeed difficult to tell at first glance, at least until it's unique (...)

Hi. I imported in Synfire the first bar (omitting the grace note) of Robert Schumann's Arabeske op.18 via midifile and built on that seven-notes excerpt a 16-measures piano phrase. I (...)

This new video focusses on how Synfire relates to and deals with counterpoint techniques, that are mainly used for orchestral music (although almost every musical genre makes use of it, actually). (...)